nanoramas

A wide view of small things, with a focus on database cinema, internet culture, creativity, and good ol' fashioned filmmaking. I'm a filmmaker currently living in Ann Arbor, MI. More at jenniferproctor.com.
~ Thursday, January 26 ~
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Great. And love the moving comic book style.

edwardspoonhands:

weasleycansaveanything:

John Green: GAY is NOT an INSULT (x)

EPIC SET. Thanks for doing this…whoever did it.


36,763 notes
reblogged via wilwheaton
~ Friday, January 20 ~
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And on YouTube.

starwarsuncut:

Star Wars Uncut: Director’s Cut

Finally, the crowd-sourced project has been stitched together and put online for your streaming pleasure. The Director’s Cut is a feature-length film that contains hand-picked scenes from the entire StarWarsUncut.com collection.

Many thanks to Aaron Valdez (video editor) and Bryan Pugh (sound design/mixing) for the countless hours they put into this masterpiece.

The Story:

In 2009, thousands of Internet users were asked to remake “Star Wars: A New Hope” into a fan film, 15 seconds at a time. Contributors were allowed to recreate scenes from Star Wars however they wanted. Within just a few months SWU grew into a wild success. The creativity that poured into the project was unimaginable.

SWU has been featured in documentaries, news features and conferences around the world for its unique appeal. In 2010 we won a Primetime Emmy for Outstanding Creative Achievement In Interactive Media.

We can’t thank everyone enough for making this such a special project.

Watch it now.


811 notes
reblogged via starwarsuncut
~ Monday, January 16 ~
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Start with a blank image, ask Google Image search for similar images, take the top result and repeat. Fascinating!

Search by Image, Recursively, Transparent PNG, #1 (by kingcosmonaut3000)


5 notes
~ Saturday, January 14 ~
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I don’t love everything Pogo does, but this and Alice are fantastic.

thedailywhat:

Fresh Remix of the Day: Pogo returns to remix the “voices and beats” of The Fresh Prince of Bel-Air.

You can pick up the MP3 here.

[fagottron.]


1,401 notes
reblogged via thedailywhat
~ Thursday, January 12 ~
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Wonderful!
dvdp:

“Tape Recorders” (2011) by Rafael Lozano-Hemmer

“Rows of motorised measuring tapes record the amount of time that  visitors stay in the installation. As a computerised tracking system  detects the presence of a person, the closest measuring tape starts to  project upwards. When the tape reaches around 3m high it crashes and  recoils back.”

Wonderful!

dvdp:

“Tape Recorders” (2011) by Rafael Lozano-Hemmer

“Rows of motorised measuring tapes record the amount of time that visitors stay in the installation. As a computerised tracking system detects the presence of a person, the closest measuring tape starts to project upwards. When the tape reaches around 3m high it crashes and recoils back.”

(Source: todayandtomorrow.net)


963 notes
reblogged via ericmortensen
~ Monday, January 9 ~
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Aye-aye-aye-aye… work out.

thedailywhat:

Seriously Funny Dramatic Reading of the Day: Ira David Wood, Executive Director of Raleigh’s Theatre in the Park (and Evan Rachel Wood’s dad), dramatically reads the sh*t out of LMFAO’s “Sexy and I Know It.” (Skip to 1:07.)

[mefi.]


1,071 notes
reblogged via thedailywhat
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275 notes
reblogged via filmstudiesryangosling
~ Saturday, January 7 ~
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Very interesting.
futurejournalismproject:

Steve Jobs Doll Legal In Most States, Not Indiana
Oh the irony. Apple, notorious for suing anyone and everyone over intellectual property issues, may not be able to prevent a Steve Jobs doll from being sold in most US states.
Via paidContent:

Apple’s lawyers have a fearsome reputation for defending the company’s intellectual property. But it sure looks like they’re bluffing in the controversy over a new Steve Jobs doll.
A UK newspaper caused a stir yesterday when it reported that Apple (NSDQ: AAPL) had threatened legal action against a Chinese company that plans to sell an eerie replica of its late founder starting next month. The Daily Telegraph said Apple claims to own rights to Jobs’ likeness…
Dead or not, Steve Jobs is still huge news and the story went viral. Media outlets, noting that Apple had stopped the release of another Jobs doll in 2010, reported the story as a warning to other companies who would dare appropriate the property of mighty Apple.
But there is a huge problem here—Apple’s legal claim is largely bogus. While people can indeed own rights to their likeness, those rights usually apply only to living people. Unlike other forms of intellectual property like patents or copyrights, image rights do not survive beyond the grave in most places.
Under American law, so-called “personality rights” exist only at the state level—there is no federal law. And only about a dozen states recognize image rights after death. Oddly, it is Indiana that has the strongest protection, restricting commercial use of a person’s image for 100 years after their passing.
But in New York and most other places, there is no protection at all. This was confirmed five years when a court in the state found that no one had the exclusive right to market Marilyn Monroe. Efforts to change the law have so far failed.
What this means is that Apple’s warning about the doll is an empty threat in most places. It may not even be able to stop others from using the name Steve Jobs as, surprisingly, the term does not appear on the company’s long list of registered trademarks. 

Very interesting.

futurejournalismproject:

Steve Jobs Doll Legal In Most States, Not Indiana

Oh the irony. Apple, notorious for suing anyone and everyone over intellectual property issues, may not be able to prevent a Steve Jobs doll from being sold in most US states.

Via paidContent:

Apple’s lawyers have a fearsome reputation for defending the company’s intellectual property. But it sure looks like they’re bluffing in the controversy over a new Steve Jobs doll.

A UK newspaper caused a stir yesterday when it reported that Apple (NSDQ: AAPL) had threatened legal action against a Chinese company that plans to sell an eerie replica of its late founder starting next month. The Daily Telegraph said Apple claims to own rights to Jobs’ likeness…

Dead or not, Steve Jobs is still huge news and the story went viral. Media outlets, noting that Apple had stopped the release of another Jobs doll in 2010, reported the story as a warning to other companies who would dare appropriate the property of mighty Apple.

But there is a huge problem here—Apple’s legal claim is largely bogus. While people can indeed own rights to their likeness, those rights usually apply only to living people. Unlike other forms of intellectual property like patents or copyrights, image rights do not survive beyond the grave in most places.

Under American law, so-called “personality rights” exist only at the state level—there is no federal law. And only about a dozen states recognize image rights after death. Oddly, it is Indiana that has the strongest protection, restricting commercial use of a person’s image for 100 years after their passing.

But in New York and most other places, there is no protection at all. This was confirmed five years when a court in the state found that no one had the exclusive right to market Marilyn Monroe. Efforts to change the law have so far failed.

What this means is that Apple’s warning about the doll is an empty threat in most places. It may not even be able to stop others from using the name Steve Jobs as, surprisingly, the term does not appear on the company’s long list of registered trademarks. 


36 notes
reblogged via futurejournalismproject
~ Thursday, January 5 ~
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I love this so much (MissB: It’s Rihanna!)
thedailywhat:

ICWUDT of the Day: A Facebook thread in a pokeless place.
(Do better below.)
[peetaah / ratsoff / context.]

I love this so much (MissB: It’s Rihanna!)

thedailywhat:

ICWUDT of the Day: A Facebook thread in a pokeless place.

(Do better below.)

[peetaah / ratsoff / context.]

(Source: black-diamonds)


64,093 notes
reblogged via thedailywhat
~ Wednesday, January 4 ~
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The problem, though, is that while I can appreciate YouTube videos on the basis of YouTube criteria, and art videos on the basis of art criteria, there’s a bunch of stuff that’s way too boring to be on YouTube, but not quite intentional enough to make the leap to art. To steal a term from robotics, there’s an uncanny valley – a point where a video resembles both YouTube clips and video art so closely as to make the (art-aware) viewer uncomfortable [2]. For an artwork, this is a very bad place to be.

An important set of questions posed by the rise of YouTube as a venue for video.

The Uncanny Valley of “Electrocuted Squirrel” (via porcupineschool)


3 notes
reblogged via porcupineschool